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Motherhood and Breakdown

  • Chain Theatre 312 West 36th Street, Floor 4 (map)

Port Authority Breakdown

By Annie Raczko

SYNOPSIS

After a late-night improv show, Annie’s car dies on the fifth floor of the Port Authority garage…and so does her sense of control. Armed with 30% iPhone battery, questionable problem-solving skills, and a rotating cast of strangers, she spirals through roadside assistance, family group chats, and her own anxiety, until even the pigeons get involved. A solo musical comedy about being stranded, unraveling, and somehow… putting on a show anyway.

Bios

Annie Raczko* (Playwright/Director/Lyricist/Annie)

Annie is a multi-hyphenate theatre maker (actor/playwright/director/lyricist/improviser) and a member of Actor’s Equity. She regularly performs Off-Broadway, near Broadway, and in her living room. When she's not performing on Thursdays at The Magnet Theater with Spicy Dilemma, she's also making musical improv with Hell Yeah!, Dun Dun, and Sotto Voce. And when she's not improvising, she's writing songs and plays rooted in the belief that there are no mistakes - only discoveries. A longtime collaborator with The Chain Theatre, Annie is grateful to this company for giving her a safe space to not play it safe, and she is a better artist because of it.

Andy Wiggins (Composer)

Andy is a musician and improviser based in the NYC area. He performs regularly at the Magnet Theatre as a musical improviser and accompanist, as has appeared in the Off-Broadway musical improv show The Others of Oz. He has worked as a touring musician and is the creator of Painting a Song, a songwriting collective with over 100 volumes of original music. Andy holds a PhD from Drexel University, where his work focused on music technology. 

The Anti-Mary’s Map to Motherhood: Part I

By Dana Mazzenga-Greto

SYNOPSIS

Motherhood is a trip! For some, it’s an odyssey of epic proportions to even get started. In this solo show, a kaleidoscope of characters careens between the sacred and the absurd as one woman retraces the near impossible decisions and choices she made along her way.

Bios

Dana Mazzenga Greto (PLAYWRIGHT & ACTOR) is an AEA, NYC-made, Brooklyn-based and Philly-burbs-bred actor and writer. Favorite roles have included MaryJane in Jesus Hopped the ‘A’ Train, Ginger in Rosemary with Ginger and Dolores in Blind Date. This is Dana’s NYC playwriting debut! She enjoyed acting in The Chain’s Summer Festival last year in Pink Dress and, most recently, Dana played muckraker Nellie Bly in Speranza Theatre Company's latest production of In Her Footsteps. Favorite new work development spaces - in addition to The Chain! - have included Lyle Kessler’s Masterclass and The Actors Studio PDU. When not acting and writing, Dana is teaching, wife-ing and - not to give anything away, but - mothering two gorgeous girls.  www.danamazzenga.com

Mary Powelson (DIRECTOR) recently appeared in Lyle Kessler’s Shitkickers (Ruby) in the Chain Theatre’s Winter 2026 Festival. NYC stage roles: Doug DeVita’s Goddess of the Hunt (Diana); Corliss Parker’s Palindromes (Katy) at EAT; Michael Fishman’s When the Bird is Done (Martha). Directing credits include A Midsummer Night’s Dream, Romeo & Juliet, Twelfth Night, Hairspray, Beauty & the Beast, plus numerous new play workshops and readings. Member, New Ambassadors Theatre Company; Board Member, Greenwood Lake Theater;  B.A./M.A. San Francisco State. SAG-AFTRA; Dramatists Guild. Mary is a passionate steward for the Theatre and its impactful place in all communities. marypowelsonsf.com; newplayexchange.

Oriana Ng (DIRECTOR) Oriana Ng is a French-Singaporean writer-director. A graduate of NYU’s MFA Film program (2024), her passion for working with actors led her to theatre. Her recent 2025 credits include directing the short plays The Cocktail Bench (Fresh Fruit Festival), Sugar Daddy (Schreiber Shorts), and her playwriting debut, Eclipse (Chain One-Act Summer Festival).


Shows in this block include Equity Members appearing with permission of Actor’s Equity Association without benefit of an Equity contract in this off-off Broadway production.
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August 1

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